Global Refugees (City Arts)
"We just want to show English people that we have traditions, education, culture and give them a chance to see us in a different way... and they can get to know us better."
This was a two-part project combining life-history interviews and creative arts, exploring and representing the experiences of being an asylum seeker in exile in the UK. The Bosnia-Herzigovina Community Association (BHCA) worked with Sociologist Dr Maggie O'Neill, arts facilitator Bea Tobolewska, and artists Maggy Milner, Simon Cunningham and Karen Fraser.
Project one (The Bosnians in Nottingham, The Past Present and Future) sought to create a safe and confidential environment for refugees to explore personal issues of exile through visual arts work, which was subsequently exhibited at Bonington Gallery Nottingham in Refugee Week 1999.
Project two (Exile, Displacement and Belonging) explored the process of settling in the UK, and of building the BHCA. Traditional Bosnian arts and crafts, such as textiles, merged (in the hands of contemporary artists) with photography and installation, creating work exhibited at Turtle Arts Gallery Nottingham in November 2001, and nationally thereafter.
Two Bosnian boys, friends since meeting in a UN camp, photographed images and objects that related to their experiences in exile. They subsequently created a timeline of their experiences, developing new skills in graphics, writing and drawing, in order to share their stories with others.
A Bosnian woman articulated (through the image of a key baked in bread) how her Serbian neighbours had helped and supported her...giving witness to a complex personal and political history not normally understood here.
These and other works were made possible because of trust. The facilitators ensured that the refugees maintained control and ownership of the work, in a safe and confidential environment. Decisions about both the process of the work, and the material to be exhibited were made by the BHCA collectively and as individuals, and participants were empowered by the project because they gained new skills (essential when stranded in a foreign land), and because their work was made visible to others in public settings.
Networks were developed, and a number of important legacies have impacted on the integration of Bosnian Refugees locally: a successful Awards For All bid to stage a traditional cultural event open to the wider community; a Regional Cultural Strategy for Refugees commissioned (2002); and commitments made to support refugee artists, utilising their skills, supporting language aquasition, overcoming lack of understanding of the 'system', or lack of access to funding.
The arts have been used here to clarify and crystallise the concerns of a disenfranchised community. In terms of Social Capital indicators, 'bridging and bonding' has occured... sensitive listening and the removal of formal barriers to communication have forged links between a community group, individuals, arts organisations, and academics...and importantly for refugees and asylum seekers, helping to develop dialogue between themselves and the wider local and national community.
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