Nek Chand shows the Way
Nek Chand started his project with no ambition or vision to build a Rock Garden.
He had a fascination for natural rocks and their shapes. “I like stones very much. In every stone there is a human being or just a God, Goddess and so on”.
In 1958 he began collecting stones of various shapes and sizes. He remembered as a child he had been stirred by his mother’s tales of Kings and queens. `He had spent hours on the bed of a small stream near his home building castles and forts and shaping figures from clay. With the Chandigarh development by Courbousier with its Modernist hard-edged design, he wondered why he couldn’t build a little ‘kingdom’ of his own.
Tons of materials of various kinds where used in the construction of the Rock Garden. He collected these over seven years from the Shivalik hills and the debris from twenty-six villages bulldozed to make room for the new city.
He launched his project in 1965.
In May 1997 Nek Chand arrived from India to visit Britain and collaborate with four regional artists, Usha Mahenthralingam, Said Adrus, Krishna Alageswaran and Anuradha Patel.
During a weeklong collaborative workshop, Nek Chand introduced his philosophy and art practice to the four artists. Under the guidance of Nek Chand, the artists produced four individual sculptures and one collaborative piece from waste/recycled materials. The artists brought their own artistic practice and understanding of environmental issues to interpret Nek Chand's unique vision and appropriately named their collection of sculptures – “The Nek Generation”. The sculptures where commissioned within the beautiful grounds of Wollaton Park in May during Nottingham City council’s centenary celebration outdoor festival-‘Fest 100’. They where then situated at the prestigious grounds of Nottingham Castle Museum and Art gallery.
The project also included a touring exhibition of sculptures and photographs from the Rock gardens of Chandigarh at the Midland Art Centre in Birmingham and the Waterman’s Art Centre in London. The four artists also presented lectures and practical workshops at various schools and community settings in Nottingham, Birmingham and London.
For more information contact Apna Arts