Virtual Migrants - Terminal Frontiers Exhibition (Q Arts)
TERMINAL FRONTIERS explores human experience of asylum and migration connected to the politics of local and global conflicts. Virtual Migrants creates and exhibits artworks that incorporate digital media and which can be installed in galleries, public spaces or community venues.
In a new interactive piece of work Delete where appropriate:Local/Stranger by acclaimed Black new media artist Keith Piper, the spectator is encouraged to critically examine what defines a stranger as opposed to a local. An interactive computer console encourages you to log in by name and choose the category which best describes yourself – local or stranger.
Video triptych What If I’m Not Real directed by Kooj Chuhan from Virtual Migrants, features the work of artist collaborators Tang Lin, Aidan Jolly, Jilah Bakhshayesh, Hafiza Mohamed and Miselo Kunda-Anaku. A migrant mother, child and an official are cast adrift on a series of makeshift rafts. The anonymous masked threesome silently interact across a trio of separate screens. The mother can be seen searching for her child and lost homeland, whilst the child attempts to piece together fragments of its history and the official stabs at his paperwork with a pen, causing blood to flow.
Although work on many of the five pieces in the interactive show began before 11 September 2001, the day and its events have had a profound effect on the direction of the works. One of the pieces, Dust Rising by Virtual Migrant Aidan Jolly, asks why Western governments are exploiting the attack on the World Trade Centre to demonise asylum seekers and refugees.
In Alem Will Stay, pupils from Lostock High School in Greater Manchester work with Kooj Chuhan from Virtual Migrants to create a piece based on Benjamin Zephaniah’s Refugee Boy. The students, aged 14-15, explore the contradictory reactions of different students to discovering that one of their own classmates was to be deported after his case for asylum was refused.
The final piece is called Desti.Nation mixes together images from all of the other works in Terminal Frontiers and presents them alongside a series of facts about asylum and globalisation.
“The Times Grow Worthy of Our Voice” acts as a counterpoint to the TERMINAL FRONTIERS. Over the last ten years Julius Ayodeji from the East Midlands has delivered a number of film and video projects.
“The Times Grow Worthy of Our Voice” takes the themes of openness and democracy and asks people to explore one, whilst participating in the other. An audio-visual site-specific installation, the project was submitted as a proposal to the East Midlands decibel live platform programme coordinated by ArtReach.
The Virtual Migrants gathered for this set of original commissioned art-works are Keith Piper (Caribbean/ Malta/ UK), Miselo Kunda-Anaku (Zambia/ UK), Hafiza Mohammed (India/ UK), Tang Lin (Hong Kong/UK/ China), Jilah Bakhshayesh (Iran/ UK), Kooj Chuhan (India/ UK) and Aidan Jolly (UK).
Virtual Migrants was founded in 1998 to bring together a range of artists to collaborate on new media projects. Its critical purpose is to add new aesthetics and perspectives to themes of race, migration and globalisation, and to draw public attention to issues that continually make headline news.
For more information contact Q Arts